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A Life in the Theatre

A Life in the Theatre by David Mamet was directed by Emanuel E Garcia in November 2013 with a cast of two. Publicity 2013 Butterfly Creek Theatre Troupe presents a play which gives the audience snapshots of two theatre actors at very different points in their careers. Robert (played by John Marwick), is an old hand in the theatre, and John (played by Avi Duckor-Jones), a relative new-comer and initially eager to learn. Robert’s guidance is welcomed by John at first but as the older man’s acting and mentoring skills start to falter, John emerges as a confident and mature player. Mamet has structured the

Three Sisters

The mid-year production in 2014 was Anton Chekhov's Three Sisters directed by Emanuel E Garcia. Comments from Local Artist & Poet Suzanne Herschell Well, I went to 3 Sisters tonight. The play deserved a much bigger audience because it was simply amazing, Was there anything for a critic to find fault with? The set was so good, the Marc Chagall images a wonderful evocative backdrop, costumes lovely. But what really stunned me was the individual acting. Each person owned their character and played the particular role so well with distinct personality. It is unfair to single out any actors when they were all superb. And the play,

Hamlet

William Shakespeare's great tragedy was directed by Emanuel E Garcia for our Bard in the Yard 2015. Cast Bernardo: David Gledhil Claudius: Hayden Rogers Fortinbras: Iain Gordon Francisco: Peter Hughson Gertrude: Renee Christie Gravedigger: Anne Manchester Hamlet: Benjamin Haddock Horatio: Laurie Ward Laertes: Mike McJorrow Marcellus: Andy Hall Ophelia: Harriet Prebble Osric: Erin Murphy Player King: Anne Manchester Player Queen: Sandra Gillespie Players: Erin Murphy, Iain Gordon (who will perform on mandolin during “The Mousetrap”) Polonius: Manny Garcia     Publicity 2015 The Hutt News 3 Mar 2015 Hamlet in original form Something is rotten in the state of Denmark: Actors in Butterfly Creek Theatre Troupe’s production

The Tempest

Bard in the Yard 2016 was The Tempest directed by Emannuel E Garcia. Director’s Notes The Tempest, widely considered to be Shakespeare’s last play and a summary comment on his creative endeavours, is a unique blend of magic and realism.  It is a story about a usurped monarch, slavery, love and redemption, and a brave new world of possibilities.  Our production will emphasise the surreal and dreamlike nature of the drama, as well as its earthiness and ambiguity.  We are fortunate enough to have an experienced cast of Shakespeareans, as well as original live music specifically composed for this Bard in the Yard theatrical experience.

Trials and Tribulations

Trials and Tribulations was a programme of scenes from Shakespeare, loosely based around trials in the various plays. Scenes were chosen and adapted by John Marwick and were directed by a number of people: Lian Butcher, Anna Rodgers, Emannuel E Garcia, John Marwick, Anne Manchester, and Laurence Ward.

Othello

Our Bard in the Yard production was Shakespeare's great tragedy of jealousy - Othello. We sneaked in just before the COVID pandemic. Publicity 2020 Love, jealousy, race, revenge and madness -- such are the major themes of Shakespeare';s Othello. And like all of the great tragedies, nothing is quite as black and white as it may seem. How pure was Desdemona? How gullible was Othello? How evil was Iago? Join us for a fast-paced production of a drama that builds towards a passionately explosive conclusion like no other.

The Fall of the House of Usher

The end of year production in 2020 was The Fall of the House of Usher. It was adapted for the stage by Michaeljohn Butcher from Edgar Allan Poe's novel and directed by Emanuel E Garcia. Edgar Allan Poe’s spine chiller. “She has been put living into the tomb” Edgar Allan Poe was the great macabre story writer of his day, and this playwright Michaeljohn Butcher's adaptation of his masterpiece, 'The Fall of the House of Usher', renders his eerie, powerful, chilling and poetic insights into a compelling theatrical experience. When Jonathan Tiergarten arrives at the decaying house, summoned by his childhood friend Roderick Usher, he discovers