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Measure for Measure

Bard in the Yard 2010 was Shakespeare's 'problem' play Measure for Measure directed by John Marwick. Watch YouTube extracts of this production Extracts on YouTube of scenes from this production Act II Scene 4 Act III Scene 1 Act IV Scene 3 Act V Publicity 2010 Corruption, Comedy and Confusion in Full Measure Do you enjoy a good laugh? Like to see theatre that makes you think, that’s full of tension and surprise?  Fancy a night out where after a good meal you can sit back with a glass of wine and be entertained under the stars by a troupe of talented actors? This summer you

One Flesh

Peter Baldock directed Fiona Samuel's play One Flesh for a five-night run in the St Alban's church. Avi Duckor-Jones won an award for best male actor in a supporting role ad ray Dickenson won for best original music. Publicity 2010 ‘One Flesh’ is set in a central Wellington boarding house, the likes of which can still be found on the Terrace or upper Willis Street.  It is occupied by a small group of ‘permanently casual’ residents, whose tranquillity is disrupted when a new guest arrives. ‘One Flesh’ has been described as a ‘damaged comedy’.  It is a very powerful and moving story.  Fiona Samuel has written ‘characters’

The Dresser

Florence McFarlane directed Ronald Harwood's The Dresser with Trevor Rose as Norman and John Marwick as 'Sir".

Much Ado About Nothing

Emanuel E Garcia was the director for Bard in the Yard 2011.  Publicity 2011 Directed by Manny Garcia Though this is Manny’s first production with Butterfly Creek Theatre Troupe, he’s an experienced director and actor. He says he was inspired to join us after seeing our successful 2010 production of Measure for Measure. We’re delighted to have him join us, for while we’re very proud of our past achievements, we’re always wanting to learn. Manny brings a unique approach to directing , employing techniques of psychological interpretation and performance enhancements; techniques from his “day job” with classical musicians and other creative people. So, expect to see

Oleanna

John Marwick directed David Mamet's hard-hitting two-person play Oleanna.  Publicity 2011 A controversial American adult drama about a university lecturer and one of his young woman students. It’s about how a teacher who misuses his power can seriously damage a vulnerable student. Or maybe it’s about how political correctness can be carried to extremes and damage the lives of well-meaning people. It’s about sexual harassment – or maybe it’s about extreme feminism. 80 minutes – no interval – latecomers not admitted. 8 pm start – bar open from 7.30 pm. Contains some coarse language and adult themes – not suitable for children. Presented in an intimate stage

The Importance of Being Earnest

Barry Mawer directed Oscar Wilde's masterpiece The Importance of Being Earnest in September 2011. Media Release The Importance of Being Earnest – an all time audience favourite Oscar Wilde’s most well-known and best loved play, The Importance of Being Earnest, is coming to Eastbourne audiences in September, courtesy of Butterfly Creek Theatre Troupe. First performed in 1895, Wilde called it “a trivial comedy for serious people” and it is thought by some critics to have been the funniest play ever written. Director Barry Mawer says the play for him was a ‘must’, with so many wonderfully witty and memorable quotes that never tire. “We did it at

Comedy of Errors

Bard in the Yard for 2012 was Comedy of Errors directed by Florence McFarlane. Watch on YouTube Publicity 2012 Set in Brisbane with the rancour of World Rugby Cup loss still ringing in the ears of the locals. Rivalry, mistaken identity, lost family, a shipwreck, and lots more take you through this hilarious action filled comedy at breakneck speed. Performed on the Muritai School Yard stage, Muritai Road, Eastbourne (in the Hall if wet) 7:30pm. Watch this production on YouTube

John Gabriel Borkman

Henrik Ibsen's last play John Gabriel Borkman was directed by Emannuel E Garcia. Winner of “Best Drama” award in the 2012 Wellington District Theatre Federation Full Length Play Competition. Watch on YouTube Director’s notes Although John Gabriel Borkman was extraordinarily popular when it premiered in 1896 and was produced throughout Europe the following year, it has had relatively few appearances on the modern stage, a notable exception being the recent revival by the Abbey Theatre in 2010. On the surface, the play chronicles the fate of an embezzler, and thus resonates with topical relevance in an age of  financial skulduggery.  However Borkman reaches far below the

Communicating Doors

John Marwick directed Alan Ayckbourn's Communicating Doors on an elaborate set in October 2012. " Time for a giggle, a laugh, a shock and a bit of suspense. Publicity 2012 Have you ever wondered what is behind those locked doors in your hotel room? Playwright Alan Ayckbourn wondered enough to write a play with the mysterious doors as its central theme. He had gazed at the secret doors which always lead to other rooms and which are always locked, giving him what he called a “Tardis feeling” as if you could go through into a different time zone. The result was his riotous time-travelling comedy-thriller Communicating

What You Will (or Twelfth Night)

John Marwick directed Bard in the Yard 2013 and gave Twelfth Night Shakespeare's alternative title of What You Will.  Watch on YouTube Publicity 2013 This year's production is entitled What You WILL - Shakespeare's own alternative name for the play better known as Twelfth Night.Award-winning Director John Marwick is directing a great cast of actors from Eastbourne, Lower Hutt and Wellington and he is also taking the part of Sir Toby Belch.The play will be an exuberant summer celebration of life, love, laughter.This is an outside production so dress warmly - but we will move inside if the weather is bad. Director John Marwick takes

Beauty and the Beast

The Troupe presented Beauty and the Beast - a pantomime by David Swan in July 2013 directed Florence McFarlane. Publicity 2013 The show is a typical fun family pantomime set in the Village of Cabaret and the Enchanted Castle, where the traditional struggle of good over evil takes place. The princes are identical twins, one good and the other bad. The evil prince puts a curse on his brother and turns him into The Beast so he can take the crown. The Widow Bonbon, the dame who runs a sweet shop, comes to the rescue by starting a revolution to get rid of the bad

A Life in the Theatre

A Life in the Theatre by David Mamet was directed by Emanuel E Garcia in November 2013 with a cast of two. Publicity 2013 Butterfly Creek Theatre Troupe presents a play which gives the audience snapshots of two theatre actors at very different points in their careers. Robert (played by John Marwick), is an old hand in the theatre, and John (played by Avi Duckor-Jones), a relative new-comer and initially eager to learn. Robert’s guidance is welcomed by John at first but as the older man’s acting and mentoring skills start to falter, John emerges as a confident and mature player. Mamet has structured the